The Phantom of the Opera: Colour, Character and Costume
As the diva ousted by Christine, her character is both demanding, and insecure, jealously struggling to retain her role as star of the Opera Populaire. Raoul wears a dark navy military uniform with gold braiding and stand collar, matching short jacket over one shoulder, a classic hero. Yet when he kidnaps her, he immediately has her change into a pure white wedding dress; his fascination is with her virtue. Masked dancers are clad mainly in black, white, gold and silver.
Costume designer Alexandra Byrne makes use of symbolic colour palettes and silhouettes to bring this heightened world to life. Heroine Christine Emmy Rossum is dressed identically to the other dancing girls, in a cream and gold top, cropped below the bust, with heavily embellished gold and blue Cuf Clothing, embellished waistband with two rows of red pleats at the back and sheer gold skirt with splits.
Her partial nudity represents vulnerability. The change of costume is synonymous with her advanced status. The white of her gown sets a precedent for a colour palette that serves the character throughout the film. Christine then undresses to her white corset, lace underskirt, gown and stockings. The diminished size of her clothing as compared to her opera dress demonstrates her vulnerability, and the omnipotence of the Phantom, forbidding yet enticing in his bone-coloured mask and long, black opera cloak.
Wearing a topcoat with a large, fur shawl collar, Raoul frantically pounds on the door; now it is his formality and social standing that cast him out as belonging to Phantom Of The Opera Clothing different world.
As Christine tentatively gives her hand to the Phantom, the white lace of her sleeve strongly contrasts with his black leather glove, a visual representation of the corruption of innocence in growing up: the pure versus the passionate, the trusting versus the damaged. These parallels continue throughout the film. These dark hues allow for dramatic Cuf Clothing, yet the subtleties show complexity.
The Phantom is as much a false creation as the characters performing within the Opera —a disguise for a man who cannot face his reality. The Phantom is a voyeur, watching Christine through a mirror and the black lace veil he draws between them as she sleeps. For his own security, there must always be a barrier between them, whether a physical or sartorial one, such as his mask. When Christine tears the mask from his face on awakening, not just his soul, but his clothing are in disarray.
He wears his shirt open, the white frill emphasising the vulnerability of his bare chest. This effective core colour palette of black, white and red underlines the importance of key moments. In a musical where intimate scenes run consecutive to huge Operas and Ballets, considered use of colour is paramount. Significant, bold key colours Cuf Clothing scenes with two or three people create a resonance with the larger crowd scenes.
Rich, strong colours also make a strong statement Cuf Clothing the wardrobe of Carlotta Minnie Driver. As the diva ousted by Christine, her character is both demanding, and insecure, jealously struggling to retain her role as star of the Opera Populaire. She is not a personality to be ignored, and indeed her opulent costumes, festooned with feathers and dripping with jewels, make this impossible. Colours employed include gold, royal blue, bright red, rich purple, pink and black.
A scene pivotal in a film obsessed with deception is the Masquerade ball. Masked dancers are clad mainly in black, white, gold and silver.
Raoul wears a dark navy military uniform with gold braiding and stand collar, matching short jacket over one shoulder, a classic hero. The dancers are Cuf Clothing black and red, while Christine wears a white lace camisole, Phantom Of The Opera Clothing under-bust corset, and gold open weave shawl as a skirt, her bare neck and shoulders accentuating sexuality.
Yet when he kidnaps her, he immediately has her change into a pure white wedding dress; his fascination is with her virtue. The finale comes as Raoul rushes down a stone staircase…
Phantom Of The Opera Clothing –
As the diva ousted by Christine, her character is both demanding, and insecure, jealously struggling to retain her role as star of the Opera Populaire. However, his clothes are soon soaked through, creating the main distinction between him and the Phantom, now dressed exceedingly similarly; as Christine enters the water to save Raoul, the wedding dress billows out around her, the dramatic silhouette marking her influence at this pivotal point. Significant, bold key colours in scenes with two or three people create a resonance with the larger crowd scenes.